HOT MAGS ¡!¡ DIT

DIT · Colour · London

On-set Colour, Quality Control, Post-Production, Secure Backups

Colour management, transcodes and post deliveries for Commercials, Fashion, Music and Documentary.

  • Camera-to-cloud dailies
  • On-set offline edit — storyboard-led first cut
  • Vintage kit rental & ingest
  • Reference-calibrated grading monitors on set
  • Live client streaming
  • Long-term archive & backup

Availability

Tell me the dates.

davome@me.com

Davo McConville
+44 7796 387963
Dalston, London · travelling

Camera original Graded

Drag or use arrow keys Camera original vs. final grade

On set

DIT Services.

Data management

Cart-based offloads with verified checksums, redundant copies before anything leaves set, and a report on every card. Camera tests, matching and live monitoring for the DoP.

On-set post producer

The bridge between the floor and the post house. Pipeline design, dailies turnaround, editorial handover and look continuity — so nothing gets renegotiated in week six.

In the suite

Colour Services.

Look development

Show LUTs built from camera tests rather than picked off a shelf, carried from the monitor on set through to the timeline so the grade starts where the shoot left off.

Finishing and delivery

DaVinci Resolve grading in a calibrated suite. Conform, dailies, and final delivery to broadcast and streamer specifications.

Selected credits

Work.

ProductionCompanyRoleDOPYear
Adidas UK — London Supershoot24 Productions LtdDITElliot Holbrow2026
Versace FW26 — Eyewear / Watches / Onitsuka TigerPartner FilmsDITMorgan Spencer2026
Guess — Allegra Handbag—DITRomain Alary2026
Kiko Milano — FC Matt & Nude—DITMorgan Spencer2026
Kiko Milano — Maxi Mod & Full Coverage—DITMorgan Spencer2026
Jazzy ft. Chris Lorenzo — “Invisible”PartizanDITJack Hamilton2026
PowerballIconoclastDITElliot Holbrow2026
Aston Martin x Maaden—DITMason Prendergast2026
TENASomesuchDITSuzie Lavelle2026
MyCarly—DITHubert Wigier2026
RenaultRSA FilmsDIT—2026
TakedaOctopus IncDIT—2026

Vintage kit rental

Cameras that still
look like something.

A small rental arm of cameras and formats with imaging characteristics you cannot get back in post. Dry hire, or supplied with a DIT.

Canon 814 XL-S Super 8 camera

Canon 814 XL-S

Grain you can't fake

Super 8. 7–56mm f/1.4 macro zoom, 9/18/24/36 fps, split-image focusing. Supplied with accessories.

Panasonic AG-HVX200 camera

Panasonic HVX200

Mid-2000s indie

DVCPRO HD to P2 card, DV to MiniDV tape. 3× 1/3in CCD, variable frame rates, Leica Dicomar zoom. Supplied with wide lens.

Panasonic AG-7450 dockable S-VHS recorder with WV-500 camera head

Panasonic AG-7450 / WV-500

Tracking lines and tape hiss

Camera head docked to a portable Hi-Fi S-VHS recorder. A full-size shoulder rig of the ENG era.

Insta360 X4 360 camera

Insta360 X4

Point it everywhere, reframe later

360 capture. Frame the shot in post rather than on the day.

Digital Harinezumi camera with SD card and battery accessories

Harinezumi

Pocket lo-fi

Superheadz toy camera, sensor tuned to imitate Super 8. VGA video to microSD, shaped like a 110 cartridge.

Sony DSR-PD150 camcorder

Sony PD150

Skate legend

3× 1/3in CCD, DVCAM or DV to MiniDV, twin XLR. The pro version of the VX2000, and the camera Lynch shot Inland Empire on.

Sony DSR-PD100 camcorder

Sony PD100

Macro madness

3× 1/4in CCD, DVCAM. Magnesium Handycam body at around a kilo — a pro format hidden in a consumer shell.

GoPro HERO13 with Back-Bone lens-mount conversion

GoPro HERO13 · IR

Any lens you like

Back-Bone lens-mount conversion. C, CS and M12 mounts natively; M43 with an adapter.

Daily and weekly rates — ask